Game Review: Band Frontman Jason Williamson Assumes Character in Critical Examination at Ecstasy Generation Era
The work of Bristol sound co-founder Geoff Barrow, this scabrous though slight first film turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a grimly amusing duel unfolds – David desperate to escape; the Woodsman denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single important plot development, but it results in a comically executed rampage on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now lets rip with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
Game releases in UK and Irish cinemas from 17 November.
